![]() This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe. ![]() Deconstructing a Myth The opera’s plot starts off simple enough. 23, 2021, marking the second 21st century opera to hit the company’s cavernous stage during the 2021-22 season (the first being the masterful Fire Shut Up in My Bones ). ![]() Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself. Rising American composer Matthew Aucoin brings a captivating new take on the ancient Greek myth of Orpheus - who attempts to harness the power of music to rescue his beloved from the underworld - to the Met. Eurydice’s unique qualities came to the fore in its Metropolitan Opera debut on Nov. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Yannick Nézet-Séguin oversees the December 4 transmission, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. The vivacious Eurydice (the soprano Danielle de Niese) seems smitten with the hearty Orpheus (the baritone Joshua Hopkins). Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story-a product of the Met’s commissioning program. The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days.
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